Glen Powell's Breakout Role in Richard Linklater’s "Hit Man" | True Story Behind Netflix’s ‘Hit Man’
Glen Powell's Breakout Role in Richard Linklater’s "Hit Man" | True Story Behind Netflix’s ‘Hit Man’
The True Story Behind Netflix's ‘Hit Man’ and Gary Johnson
Gary Johnson: The Real Fake Hitman
How Gary Johnson Became a Fake Hitman
Differences Between the Film and Reality
Gary Johnson's Legacy
Overview of "Hit Man
Richard Linklater’s "Hit Man" features Glen Powell as philosophy lecturer Gary Johnson. In an early scene, Johnson challenges his University of New Orleans class to ponder their true identities. This foreshadows his upcoming transformation. The film is based on the real-life story of Johnson, who worked with the New Orleans Police Department as a fake hit man to catch criminals during sting operations.
Character Transformation
Gary Johnson, an ordinary man with an unremarkable appearance, becomes an effective undercover hit man. He steps into the role when the usual officer is suspended. Despite his initial anxiety, Gary seamlessly transforms into a convincing assassin during his first mission. This transformation echoes the shift seen in Jamie Foxx's character in "Collateral."
Glen Powell's Performance
Powell's performance channels elements of Tom Cruise’s early roles. Notably, Powell co-wrote "Hit Man," indicating his deep involvement in the project. His character, Gary, explores the concept of identity, playing different personas to fit his targets' expectations. Each disguise, from a neck tattoo to dark glasses, helps Gary embody the hit man stereotype.
Plot Development
The plot thickens when Gary meets Madison (Adria Arjona), a distressed woman seeking help to escape her abusive husband. Instead of taking the hit job, Gary persuades Madison to abandon her plan. They develop a romantic relationship, with Madison believing Gary is still the hit man "Ron." Gary himself begins to embrace this persona, becoming more confident and assertive.
Film's Themes and Style
"Hit Man" deconstructs the notion of stardom by presenting Gary as an everyman who can become extraordinary. The film blends fantasy and reality, showcasing Linklater's signature breezy and generous filmmaking style. This approach contrasts with other hit-man films like David Fincher’s "The Killer" and Harmony Korine’s "Aggro Dr1ft," offering a fresh perspective on the genre.
Conclusion
Linklater’s "Hit Man" stands out for its engaging narrative and Powell’s compelling performance. The film invites the audience to reflect on identity and transformation, making it a standout at the Venice Film Festival. As Gary tells his class, "If the universe is not fixed, then neither are you," encapsulating the film's central theme.
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